Tag Archives: James Graham Ballard

J.G. Ballard’s Definitions

From A User’s Guide to the Millenium.

Jazz Music’s jettisoned short-term memory, and no less poignant for that.

Pornography The body’s chaste and unerotic dream of itself.

Genocide The economics of mass production applied to self-disgust.

Forensics On the autopsy table science and pornography meet and fuse.

Answering machines They are patiently training us to think in a language they have yet to invent.

Criminal science The anatomizing of illicit desire, more exciting than desire itself.

War The possibility at last exists that war may be defeated on the linguistic plane,. If war is an extreme metaphor, we may defeat it by devising metaphors that are even more extreme.

Modernism The Gothic of the information age.

Apollo mission The first demonstration, arranged for our benefit by the machine , of the dispensability of man.

Personal computers Perhaps unwisely, the brain is subcontracting many of its core functions, creating a series of branch economies that may one day amalgamate and mount a management buy-out.

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J.G. Ballard Turns Down A Project

From A User’s Guide to the Millenium.

As far as the novel is concerned, the importance of the writer is still paramount, though all of us have learned to keep a close eye on the rear-view mirror. In the theatre the playwright is at least the equal partner of the performers, but in film the writer is shouldered aside by director, actor, producer, and editor, who together transform the printed word into something far more glamorous and evocative.

Years ago I was offered the chance to do the novelization for a film then being made by a leading British director. The script outlined a hackneyed story about a malevolent stowaway, with dialogue that rarely rose above “Chow-time. Where’s Dallas?” “Topside.” “Uh-huh.” What amazed me was not that someone had decided to film this script but that he had been able to form any idea of the finished movie from these empty lines. Yet the film was Alien, one of the most original horror-movies ever made, and the throwaway dialogue perfectly set off the terrifying vacuum that expanded around the characters.

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